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Jacopo Bassano

      Italian c1510-1592 Jacopo Bassano Gallery He was apprenticed to his father, with whom he collaborated on the Nativity (1528; Valstagna, Vicenza, parish church). In the first half of the 1530s Jacopo trained in Venice with Bonifazio de Pitati, whose influence, with echoes of Titian, is evident in the Flight into Egypt (1534; Bassano del Grappa, Mus. Civ.). He continued to work in the family shop until his fathers death in 1539. His paintings from those years were mainly altarpieces for local churches; many show signs of collaboration. He also worked on public commissions, such as the three canvases on biblical subjects (1535-6; Bassano del Grappa, Mus. Civ.) for the Palazzo Communale, Bassano del Grappa, in which the narrative schemes learnt from Bonifazio are combined with a new naturalism. From 1535 he concentrated on fresco painting, executing, for example, the interior and exterior decoration (1536-7) of S Lucia di Tezze, Vicenza, which demonstrates the maturity of his technique.

Jacopo Bassano The last communion painting


The last communion
new17/Jacopo Bassano-376322.jpg
Painting ID::  45527

  mk186 1546-48 Rome, Galleria Borghese
   
   
   

TIZIANO Vecellio

      Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).

TIZIANO Vecellio The last communion painting


The last communion
new17/TIZIANO Vecellio-444437.jpg
Painting ID::  45655

  mk186 1542-44 Urbino, Palazzo Ducale
   
   
   

Andrea del Castagno

      Italian c1421-1457 Andrea del Castagno Location Italian c1421-1457 Andrea del Castagno Location Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.

Andrea del Castagno The last communion painting


The last communion
new17/Andrea del Castagno-975265.jpg
Painting ID::  45682

  mk186 1447 Florence church Sant' Apollonia
   
   
   

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